简介
关于在短时间内的某几个人的经过 HD中字7.0
关于在短时间内的某几个人的经过 HD中字7.0
7.0
网友评分
634次评分
7.0
网友评分
634次评分
影片信息
关于在短时间内的某几个人的经过
- 状态：已完结
- 主演：未知
- 导演：居伊·德波/
- 年份：1959
- 地区：法国
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：法语
- 更新：2024-07-25 08:39
- 简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...� Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
为你推荐
换一换-
HD3.0 马修·麦康纳/安妮·海瑟薇/杰西卡·查斯坦/麦肯吉·弗依/卡西·阿弗莱克/迈克尔·凯恩/马特·达蒙/蒂莫西·柴勒梅德/艾伦·伯斯汀/约翰·利思戈/韦斯·本特利/大卫·吉亚西/比尔·欧文/托弗·戈瑞斯/科莱特·沃夫/弗朗西斯·X.麦卡蒂/安德鲁·博尔巴/乔什·斯图沃特/莱雅·卡里恩斯/利亚姆·迪金森/杰夫·赫普内尔/伊莱耶斯·加贝尔/布鲁克·史密斯/大卫·奥伊罗/威廉姆·德瓦内/拉什·费加/格里芬·弗雷泽/弗洛拉·诺兰/
-
更新HD10.0 宋慧乔/亚诺·弗里斯奇/Athena Currey/
-
更新HD3.0 黑木瞳/藤龙也/阿木燿子/
-
BD3.0 朱丽叶·比诺什/贝努特·里格恩特/弗罗伦斯·派梅尔/夏洛特·韦里/海伦·文森特/菲利普·沃特/克洛德·迪内通/休格·奎斯特/埃玛妞·丽娃/弗洛伦斯·维尼翁/亚采克·奥斯塔斯泽斯基/扬·特雷古埃特/阿兰·奥利维尔/朱莉·德尔佩/泽比纽·扎马洲斯基/
-
HD1.0 黄意璘/党启锡/王志杰/杨惠珍/
-
已完结10.0 大卫·林奇/Jack Cruz/Toototabon/Emily Stofle/
-
豆瓣高分已完结10.0 Bullet in the Head/
-
已完结6.0 诺埃米·洛夫斯基//阿弗西娅·埃尔奇//席琳·赛莱//杰丝敏·特丽卡//阿黛拉·哈内尔//爱丽丝·巴诺尔//伊莲娜·扎贝斯//Pauline/Jacquard//Judith/Lou/Lévy//Anaïs/Thomas//Maia/Sandoz//Joanna/Grudzinska//艾斯特·加瑞尔//泽维尔·布瓦//路易多·德·朗克桑//雅各·诺勒//皮埃尔·雷昂//纪尧姆·维迪尔//达米彦·奥图//文森特·丢特//露西·波尔图//帕斯卡尔·费兰/
-
已完结3.0 黄光亮/邱月清/林立三/朱威廉/
-
正片HD9.0 朱迪·特纳-史密斯/卢克·柯比/朱莉安娜·亚历山大/布莱恩·考克斯/约翰·塞纳/史蒂芬·朗/赞恩·派斯/达米安·杨/威利·C·卡彭特/凯西亚·刘易斯/蒂莫西·布斯菲尔德/安·唐德/阿莱西娅·雷纳/弗雷德里克·韦勒/迈克尔·甘多菲尼/维克多·斯勒扎克/Mark D. Espinoza/
-
HD10.0 拉妮·玛克赫吉/Vishal Jethwa/Sunny Hinduja/基舒·森古普多/Shruti Bapna/Vikram Singh Chauhan/拉杰什·沙玛/Kirti Choudhary/Deepika Amin/Avneet Kaur/皮拉桑纳·凯特卡尔/Richa Meena/Garima Jain/K.C. Shankar/Komal Chhabria/Mahendra Shrivas/
-
HD2.0 Jump！Ashin/Somersault Punk/翻滚吧！阿信/翻滾吧！阿信/
-
HD2.0 阮玲玉/郑君里/
-
已完结7.0 马杰/覃婷/董娉/
-
HD4.0 谭咏麟/董骠/邓碧云/邓丽盈/
-
更新剧情片10.0 市川雷藏/藤村志保/伊藤雄之助/
-
HD7.0 江一燕/赵汉唐/
-
更新HD3.0 Fantôme/ Où es-tu/酷马/酷馬/
-
HD10.0 周润发/缪骞人/钟楚红/金燕玲/任喜宝/李琳琳/李默/张燕君/
-
HD6.0 克劳迪亚·杰里尼/阿涅洛·阿雷纳/洛雷达娜·西苗利/
-
HD2.0 米歇尔·麦克利亚姆莫伊尔/罗伯托·库特/奥逊·威尔斯/苏珊·克卢捷/
-
BD10.0 凯文·科斯特纳/苏珊娜·汤姆森/乔·莫顿/朗·瑞弗金/凯西·贝茨/小罗伯特·拜利/雅各布·史密斯/杰·托马斯/丽莎·贝恩斯/马特·克拉文/凯西·比格斯/莱斯利·霍普/彼得·汉森/Mary Beth Fisher/Kim Staunton/莉莎·维尔/奈杰尔·吉布斯/海蒂斯韦德贝里/萨曼塔·史密斯/安迪·昂伯格/尼古拉斯·卡斯柯恩/奥尼·费达·兰普利/L·斯科特·卡德维尔/肯特·法尔考/迪尔德丽·奥康奈尔/贾斯蒂娜·马查多/琳达·亨特/保罗·泰瑞尔·科雷顿/Lise Simms/约瑟夫·威尔/贾克波·瓦格斯/
-
HD4.0 西田敏行/三国连太郎/黑木瞳/酒井法子/五十岚信次郎/细川典江/加藤武/中村梅雀/小野武彦/小野寺昭/龙雷太/谷启/鹤田忍/
-
BD8.0 文森特·卡索/图黑·亚当斯/马立克·兹迪/帕泰·海克帝尼/佩妮莱·卑尔根道夫/马克·巴贝/保罗·让森/塞德里克·埃克豪特/塞缪尔·朱义/斯卡利·德尔佩拉/维克多·布朗热/
-
BD8.0 温碧霞/关智斌/郭奕芯/陈汉娜/陈炜/沈卓盈/陈颖欣/李任燊/黄锦燊/庄韵澄/艾迪/
-
更新HD5.0 阿弗西娅·埃尔奇/乌尔里希·图库尔/约瑟夫·贝尔比奇/
-
更新HD1.0 佩丽冉卡·曹帕拉/Sunil Thapa/Robin Das/Rajni Basumatary/达山·库马尔/Lin Laishram/Bijou Thaangjam/扎卡里·柯芬/Shiva Dagar/Archna Dosija/Shubham Gaur/Shakti Kumar/Buddya Sunari Magar/Ritika Murthy/什沙尔·夏尔马/
-
HD7.0 连晨翔/吴子霏/周予天/李雪/潘纲大/谢翔雅/徐钧浩/李聿安/刘宇昕/胡智强/古峰/林沫呈/张楷奕/叶子彦/郭大睿/
-
豆瓣高分HD5.0 毒行侠(港)/赌命运转手(台)/走私运毒者/
-
正片HD3.0 苏利文游记/苏利文的旅游/
最新资讯
更多-
《人间中毒》团队再拍18禁!宋承宪新片《隐藏的步骤》电影44分钟前
-
网传《乘风破浪》第六季嘉宾名单曝光！李若彤否认将参与录制综艺昨天01:30
-
狂破9项香港纪录！黄子华《破·地狱》票房破亿在即电影昨天01:30
-
“大青衣时代”来了电视剧昨天01:00
